Yard Sale

On Family, Home, and Letting Go

Amanda Mollindo, Elaine Mollindo, and Roberto Lopez

Exhibition statement

Gallery Walkthrough, Nov. 16, 2025
Video duration: 3 minutes

Title List

Click on the links below to learn about each piece.


God Bless Are Little Angel, Amanda Mollindo

A Family’ Album, Elaine Mollindo

La Cerca Sagrada, Amanda Mollindo

Family Haircuts, Amanda Mollindo

Breaking the Piñata, Amanda Mollindo

Uncle Fred, Amanda Mollindo

Abrazo Materno, Roberto Lopez

Yuma (2014 - 2017), Amanda Mollindo

Amanda Mollindo

God Bless Are Little Angel

This family photo is of a cake from Fry’s grocery store celebrating my baptism. The text on the cake contains a typo:  “God Bless Are Little Angel.”

Elaine Mollindo

A Family’s Album

A Family's Album is a representation of ancestral ties and a reminder of our obligation to each other, our more-than-human relatives, and the land. The piece began in 2022 when Elaine Mollindo started creating balls from hair lost during washing and brushing. Driven by the belief that hair holds knowledge and stories, she then moved to collecting family member's hair.

  • Most hair balls were created as a result of everyday grooming and are records of the artist's daily life. Some balls hold more significance and were created from hair cut in ceremony — hair was cut to honor a woman changing, to mourn an uncle's passing, to manage chemotherapy symptoms and fight for life. Some hair balls were created from hair collected from beloved animals. Colorful cotton thread was used to embroider symbols of importance to the family. Different religious and spiritual symbols are found on the balls as individuals in the family have understood creation and the Creator differently over time.

    One ball depicts a browning apple core, representing the decolonization of the artist. The epithet "Apple" is used to describe an American Indian who has acculturated into the "mainstream" and is "White" inside. Onondaga Author, Eric Gansworth explains there is comfort in this insult because when an apple's core is exposed to the environment it can't stop from browning. If an Indigenous person can be immersed in their loving culture they too will "brown" and rediscover their indigeneity.

    This piece aims to encourage the observer to expose their own core to their culture and reclaim their family ties, land, and history. Once Yard Sale is over these hairballs will be burned and returned to the Earth and Elements and the process will start again.

Amanda Mollindo

La Cerca Sagrada

La Cerca Sagrada is a mixed media piece centered around a hand beaded fragment of chain link fence. It is combined with an audio recording documenting the Rosary Recitation at my nana’s (paternal grandmother) funeral on October 2023.

The two pieces are paired with found objects, including a cross that was found amidst my nana’s fabric collection the day after the funeral.

Amanda Mollindo

Uncle Fred

I took this photo of my great Uncle Fred in front of a wall he and my grandfather were building around my grandparents’ home in 2013. One of my last memories with him before he passed was on Christmas Eve in 2022, when my partner, grandfather, and I shared Modelos with him in the backyard shortly after his 91st birthday.

Amanda Mollindo

Family Haircuts

When my maternal grandmother began to lose her hair because of chemotherapy in 2023, our family gathered in the backyard to shave off her hair. My uncle and grandfather shaved their heads, too, in a demonstration of support.

Inspired by a story Roberto shared about the homemade decorations his family would make for parties in his childhood, I created and draped white tissue paper garlands above the video projection in the gallery. Below are remains from the wood fence that collapsed in my mother’s backyard during storms that took place the week before the exhibition opened.

Video Duration: 18 minutes, 2 seconds

Amanda Mollindo

Breaking the Piñata

Digitized VHS footage from the my third birthday party displayed on a Fischer Cathode Ray Tube television.

Video Duration: 11 minutes, 17 seconds

Roberto Lopez

Abrazo Materno

Roberto’s knitted cardigan, Abrazo Materno, was accompanied by two panels found in my nana’s fabric collection.

Amanda Mollindo

Yuma

Elaine, Roberto, and I grew up in Yuma, and many of our family members still live there. A selection from Yuma, a series I worked on from 2014 to 2017, was included in this exhibition to establish a sense of place.

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Exhibition Statement

Written by Amanda Mollindo

In 2023, I turned 30 and became reacquainted with death. Both of my grandmothers experienced major health problems — my maternal grandmother was diagnosed with breast cancer and my paternal grandmother experienced a heart attack and was placed under hospice home care. Around the same time, my great uncle suffered a stroke and passed away shortly after. My paternal grandmother eventually passed away in October 2023. My maternal grandmother’s cancer went into remission and she was cancer free by the end of the year. Through all of this, my family and I found joy in acts of celebration and care for one another.

In that spirit, I did not want to undertake this project alone. I invited my mother, Elaine Mollindo, and childhood friend, Roberto Lopez, to help me transform Eye Lounge for my final exhibition in the space. Together, our work touches on cycles of celebration, grief, faith, and resilience in communities that have made homes in the Sonoran desert.

The group exhibition took place from October 17 to November 16, 2025 in central Phoenix. It was accompanied by a “real” yard sale. The artists and other community members donated used clothing, art, and household items to be sold in the gallery, raising $1200 for immigrants’ rights organizations who aid in deportation defense over the course of 5 weekends.

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